Typically my encaustic mixed media portraits, include vintage photography. Recently I decided to branch out and use my own photography. Posted here is a portrait of one of my sons.
After many months of following my son Jack with a camera, I realized this would not only be portrait of him, but also his autism. I recorded the severity of this disorder that has defined his place in the world, excluded him from society, and denied him the beauty and subtleties of life. Portrait of My Son Jack and His Autism is a story told from a distant, isolated and awkward place. Armed with a only a few utterances, Jack wanders through the world overwhelmed by words and sounds that he cannot understand and people he will never know. Jack responds to the world viscerally, indifferent and at times with small sparks of recognition. The photograph that I chose for this painting portrays my son as he blocks out the sound in an ordinary situation, which for him is a swirling storm that he cannot navigate.
My encaustic and mixed media approach to portraits is cumulative, adding many subtle layers of paint, paper, and photographs to form an amalgam of biographical texture. In response to this intensive examination in Portrait of My Son Jack and His Autism, I worked more intuitively. I observed that I had unconsciously added more layers than usual of biographical annotation, more vigorous incising, scraping and a rougher surface. I sculpted and enlarged the image to allow for more intimacy between the viewer and the work. The interplay of the opacity and translucency of the encaustic paint became an essential element in this narrative portrait. The many-layered process created a visual depth that uniquely describes the complex life of this young man.